Live recording from Musica Privata festival in Łódź on November 10, 2018.
Thisnis is an echo whitin our bodies, searching for images of
sounds, rush, perceptions, signs, symbols and everything that remains in the three of us. In the moment of playing we try to connect everything in our common music memory. Thisnis is, therefore, free from any specific musical genre, style or any commandment, model or rule that defines a form. With every concert, we would like to go to new musical worlds. Together with the audience we explore areas that we’ve never reached yet. That’s why we don´t like when we are separated from the audience and divided into band and listeners – those concerts when the audience sits far on their seats in the dark somewhere, we can’t even see who we are playing to. We love to play acoustic without amplification, with people seated close around us, so we can feel better how they are sharing the music with us. A much more concentrated music is being created in a situation like this.
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Thisnis is a Hungarian – Slovakian free improvisation band focused on the special experimental variation techniques during performance. The band was founded in Prague on December 2016 during a recording for Werner Fritsche's radioplay titled as Shakespeare's Skull. Their music can be described as meta-genre variations. This predisposition opens up a concept of creating different songs, styles, genres and dramaturgy from concert to concert.
Drummer Áron Porteleki, accordionist Ádám Móser and saxophonist Miroslav Tóth also played together in Funeral Marching Band. The current project of meta-genre variations sees them break away from funeral melodies and return to the absolute free-jazz openness and experimentation without boundaries, themes and forms.
credits
released December 31, 2018
Ádám Móser: accordion, bagpipes
Áron Porteleki: drums, percussions, 3-string viola
Miroslav Tóth: alto & soprano saxophone, vocal
Recorded: Paweł Sokołowski
Mixed: Miroslav Tóth
Cover: Krzysztof Małagowski
Photo of cover: Miroslav Tóth
Dedication to Paweł Sokołowski
Special thanks to Musica Privata festival in Łódź, Tobiáš Potočný
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