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1.
Book II. 23:45
2.
Book I. 24:59
3.
"My father was shot during death march from Sachsenhausen. It was the end of the war, and the motherfucker that shot him, must have known it. He was not alone. Everyone who couldn´t keep walking anymore was shot. His friend who was with him at the time, said at my mother´s funeral how it all had happened. Maybe he had been ashamed. My father was 33 years old back then, and I was 63 when I set off to trace back the death march. I found the mass grave where my father could rest in Linde and I placed a small stone on the grave. After many years, I received a letter from a local evangelical priest from Linde saying that she had got to know the story of my father and that the dead should have names on their graves. And so she wrote the name Vojtech Gál on the grave. Also murderers should have names. It is indeed easy to shoot from an anonymous crowd. Without any guilt or punishment.”

about

"Máme vieru v ľudskosť. Silu čerpáme z pamiatky na obete zhovadilých ideológií a z umenia, ktoré presahuje balast doby. Black Angels Songs sú výkrikom. Vznikli na popole našich mŕtvych, v konfliktoch s našimi nepriateľmi a v našich vlastných vášnivých sporoch o zmysel života a pamäti."
Fedor Gál

Dedication to Barbora Gál and Vojtech Gál.

Parts of composition:

Book II.:
1. Vector One
2. Vector Two
3. Vector Three
4. Vector Four
5. Vector Five
6. Vector Six
7. Vector Seven
8. Vector Eight
9. Vector Nine

Book I.:
1. The Last Black Angels Song
2. March
3. Pietoso
4. Gallopo
5. Feroce
6. Danse macabre
7. Nenia
8. Melancolico
9. The First Black Angels Song

Appendix - Fedor Gál

credits

released March 14, 2021

Dystopic Requiem Quartet

David Danel, violin
Anna Veverková, violin
Peter Zwiebel, viola
Andrej Gál, cello

Miroslav Tóth, electronics
Fedor Gál, voice

Design: Tereza Maco
Production: Martina Kotlariková

Mix & Composition: Miroslav Tóth
Mastered: Tomáš Karásek
Recorded in Bratislava 16. 11. 2020 & 22. 1. 2021 by Marek Buranovský, Miroslav Tóth and Majo Džubák

Tothem records 2021

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